The best album by Paysage d'Hiver is Die Festung which is ranked number 22,674 in the overall greatest album chart with a total rank score. Paysage d'Hiver is ranked number 6,626 in the overall artist rankings with a total rank score of 103. Nulliverse Paysage d'Hiver's definitive album. Ridiculously moving, powerful and hypnotic. Ridiculously moving, powerful and hypnotic. Up there with the best black metal albums of all time, no doubt about it.
Though known for a blend of synthesised ambient music, wintry sound effects and black metal, Paysage d'Hiver has been known from time to time to drop the black metal from the equation for a more 'Winter Synth' style - it happened on Die Festung, and it happens again here on Einsamkeit. Here, the sound effects are even more prominent, and listening to this album becomes reminiscent of hearing a distant, siren-like call appealing to you from across a snowy wasteland. Fans of Tobias' use of synthesiser and ambient influences in Paysage's more metal works might want to try this on for size.
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At least one blogger refers to this stuff as 'Winter Synth' - by analogy to the Dungeon Synth works produced by artists such as Mortiis (during Era I) and Wongraven - a comparison which is rather apt. The material is somewhat analagous to Dungeon Synth stuff since in both cases you are dealing with a musician with a background in black metal (not that all dungeon synth artists are black metallers, but the first wave generally were) dipping into dark ambient material produced on electronic instruments, but there's also stylistic differences. Dungeon synth stuff, for instance, tends to want to try and establish a quasi-medieval atmosphere and mimic medieval instrumentation, and doesn't show much influence from the wider world of ambient music. Conversely, on Die Festung Paysage d'Hiver show the influence of electronic predecessors such as Klaus Schulze or early Tangerine Dream. The synthesisers are not afraid to sound like synthesisers here, but they're still channelled towards evoking a particular wintery atmosphere. Cold, almost unearthly - like a familiar landscape transformed by a fall of snow - the album is a fine piece of atmospheric background music. Offering the usual mixture of ambient and black metal sections melded together into an atmospheric whole, Paysage d'Hiver's Winterkaelte is a concept album based on the idea of a hike through a frostbitten landscape being a metaphor for a spiritual journey.
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Correspondingly, hidden deep within the passages of the extended compositions on here are surprising moments of beauty, particularly a recurring synthesised tone a little like astral pan pipes that suggests an unexpected discovery within the apparently barren landscape the music confronts us with. Another solid release, with the music supporting the thematic concept sufficiently to add an additional level of coherence and mystery to affairs. It's always worth wandering around in Paysage d'Hiver's albums, but the treasures hidden here are particularly notable.
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Though known for a blend of synthesised ambient music, wintry sound effects and black metal, Paysage d'Hiver has been known from time to time to drop the black metal from the equation for a more 'Winter Synth' style - it happened on Die Festung, and it happens again here on Einsamkeit. Here, the sound effects are even more prominent, and listening to this album becomes reminiscent of hearing a distant, siren-like call appealing to you from across a snowy wasteland. Fans of Tobias' use of synthesiser and ambient influences in Paysage's more metal works might want to try this on for size. At least one blogger refers to this stuff as 'Winter Synth' - by analogy to the Dungeon Synth works produced by artists such as Mortiis (during Era I) and Wongraven - a comparison which is rather apt.
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The material is somewhat analagous to Dungeon Synth stuff since in both cases you are dealing with a musician with a background in black metal (not that all dungeon synth artists are black metallers, but the first wave generally were) dipping into dark ambient material produced on electronic instruments, but there's also stylistic differences. Dungeon synth stuff, for instance, tends to want to try and establish a quasi-medieval atmosphere and mimic medieval instrumentation, and doesn't show much influence from the wider world of ambient music. Conversely, on Die Festung Paysage d'Hiver show the influence of electronic predecessors such as Klaus Schulze or early Tangerine Dream. The synthesisers are not afraid to sound like synthesisers here, but they're still channelled towards evoking a particular wintery atmosphere. Cold, almost unearthly - like a familiar landscape transformed by a fall of snow - the album is a fine piece of atmospheric background music.
Offering the usual mixture of ambient and black metal sections melded together into an atmospheric whole, Paysage d'Hiver's Winterkaelte is a concept album based on the idea of a hike through a frostbitten landscape being a metaphor for a spiritual journey. Correspondingly, hidden deep within the passages of the extended compositions on here are surprising moments of beauty, particularly a recurring synthesised tone a little like astral pan pipes that suggests an unexpected discovery within the apparently barren landscape the music confronts us with. Another solid release, with the music supporting the thematic concept sufficiently to add an additional level of coherence and mystery to affairs. It's always worth wandering around in Paysage d'Hiver's albums, but the treasures hidden here are particularly notable.